This extensive article should give you a good level of information about what you will need, what processes you should follow, and whether self-releasing or starting a label is the right choice for you.
I’d like to simplify the process of going from having a few tracks made, right through to releasing your music and seeing it on iTunes, Spotify and everywhere else.
A bunch of techniques to keep you finishing those tracks, to help you get through them and to get them out the door and into your cannon.
How do you build a list of promo contacts when everyone is always getting promoted to? How can you build a relationship with an influencer and help them promote you?
You don’t discount a $100 course by this much unless you’ve lost your mind. That’s for sure.
10 years ago I wish somebody had told me these 7 things. I’d have been able to approach the whole scene with a better understanding and a completely different headspace!
Tunecore, CDBaby, Ditto, and all the hundreds of others. What you need to know before rushing in and deciding which to use.
A stack of ideas for possible bonus content you might like to include in your release, or when releasing other people’s music.
Introducing my new course which helps musicians and aspiring label-owners understand how to effectively and successfully release and market music to the right audience.
I take a look at three common problems with releasing music
Self releasing? Where do you begin? I’m here to help answer that question and I’ve got a big announcement this week.
I talk to Andrew from WeSpin about loads of stuff from releasing and distribution, to my new course and my own productions and projects.
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