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Being a musician is just like having any other job, meaning there are good days and bad days. Here are some ways that you can achieve and maintain both creativity and productivity.
How do you build a list of promo contacts when everyone is always getting promoted to? How can you build a relationship with an influencer and help them promote you?
You don’t discount a $100 course by this much unless you’ve lost your mind. That’s for sure.
10 years ago I wish somebody had told me these 7 things. I’d have been able to approach the whole scene with a better understanding and a completely different headspace!
What makes for a great record label and how do you know you’re doing the right thing? Ask your audience!
Tunecore, CDBaby, Ditto, and all the hundreds of others. What you need to know before rushing in and deciding which to use.
A stack of ideas for possible bonus content you might like to include in your release, or when releasing other people’s music.
Introducing my new course which helps musicians and aspiring label-owners understand how to effectively and successfully release and market music to the right audience.
I take a look at three common problems with releasing music
Self releasing? Where do you begin? I’m here to help answer that question and I’ve got a big announcement this week.
I talk to Andrew from WeSpin about loads of stuff from releasing and distribution, to my new course and my own productions and projects.
Rob Daily discusses, rather humorously, 16 major misconceptions you may have had as an unsigned artist.